The economy may look to be built on rock solid foundations. But you don’t need to look very far to get a sense that there…
Joni Mitchell Dances to Latto’s ‘Big Energy,’ Måneskin Covers the Four Seasons: Inside the Clive Davis Pre-Grammy Gala
On the eve of the Grammy Awards, the music industry’s glitterati were jazzed for the chance to resume the tradition of coming together for a night of tributes, shout-outs and impressive displays talent. Here are a few things we learned from Clive Davis’ pre-Grammy Gala at the Beverly Hilton Hotel on Saturday evening.
- Swiss Beatz does a funny Davis impression
- Atlantic Records’ Julie Greenwald is a “bad-ass bitch,” in Cardi B’s estimation.
- Elvis Costello considers Nick Lowe “his hero.”
- Joni Mitchell digs the sound of Latto’s “Big Energy.”
- It’s still a ton of fun to sing along with Frankie Valli, especially when he’s backed by four Italian rockers with swagger to spare.
- Atlantic Records’ Craig Kallman spent his childhood studying the fine print of album credits, searching for “mythic” names such as Ahmet Ertegun, Mo Ostin and, of course, Clive Davis.
“This is mind-blowing experience for me,” Kallman told the crowd as he and Greenwald were saluted with the Industry Icons award, recognizing their success as the leaders of Atlantic Records and their long respective runs in music.
Greenwald, who was introduced with Bronx flair by Cardi B, also brought an aw-shucks attitude in accepting the kudos.
“Not bad for a Jewish girl from the Catskills,” Greenwald said, recalling her early years working for Lyor Cohen at Rush Management and Def Jam Records.
“It was us against the world, bringing rap to the mainstream,” she said.
Greenwald also used her platform to urge the room to fight the growing instances of prosecutors using rap lyrics as evidence in criminal trials. (California passed legislation banning the practice last fall.)
“It’s unimaginable but I assure you it’s happening,” Greenwald said, calling it “a threat to freedom of expression.”
Greenwald and Kallman were feted as part of the larger Atlantic Records 75th anniversary celebration. Singer Lauren Daigle impressed with a spirited rendition of “Son of a Preacher Man,” the 1968 Atlantic-released smash by Dusty Springfield.
The evening opened with a surprise appearance by Kevin Costner, who referenced his experience working with Whitney Houston and Davis on the 1992 film “The Bodyguard.” Despite the jubilant mood in the Hilton’s International Ballroom, the specter of Houston’s death in Feb. 2012 at the hotel, hours before Davis’ party began that year, was felt throughout the night.
“Your fingerprints in her life are clean, my friend,” Costner told Davis from the stage. “You were a miracle in her life. Thank you for being her bodyguard.”
Jennifer Hudson also paid respects to Houston with a stirring performance of “Greatest Love of All.”
The first performance slot went to Måneskin, one of this year’s Grammy nominees for best new artist. The rock band from Rome roared onto the stage with “I Wanna Be Your Slave,” followed by “Beggin’,” a cover of the 1967 Four Seasons hit. Davis then called Four Seasons’ frontman Valli up on stage for a spirited run through his first solo hit, 1967’s “Can’t Take My Eyes Off of You.”
Davis has presided over the gathering that Costner called “the party of parties” since 1976. As is his custom, he narrated the evening from the stage in between performances by Lizzo, Sheryl Crow (who delivered a tribute to Fleetwood Mac’s Christine McVie) and Elvis Costello, who was joined by Juanes for several tunes, including a rousing rendition of Lowe’s “(What’s So Funny ‘Bout) Peace, Love and Understanding.”
Swiss Beatz took the stage to remind the crowd that hip-hop “started as a rebellious act” that now makes a lot of money for the executives in the room. He also gently teased Davis with an impression of his low, gravely voice.
Rappers Lil Wayne and Lil Baby then pumped up the volume as the night drew to a close. Myles Frost, the Tony-winning star of the Michael Jackson Broadway musical “MJ,” closed out the night.
Many attendees and performers made reference to the joy of being able to gather in-person after two years of pandemic conditions. But nobody captured that excitement like Latto, who sparkled in a bodysuit as she strutted across the stage with her hit “Big Energy.”
“I can’t believe I’m here,” she told the crowd with a broad smile.
Read More About:
Source: Read Full Article